Titlebook: Sounds, Societies, Significations; Numanistic Approache Rima Povilionien? Book 2017 Springer International Publishing AG 2017 Numanities.Mu

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Religious Motifs and Existential Reflection in Zbigniew Bujarski’s Chamber Musicsembles written in the period of 1993–2013. Almost all pieces have got titles extending beyond musical terminology. There are recurring motifs of birds (.-., .), a motif of house (.-.), as well as some religious motifs (., .). The paper discusses the spheres of these programmatic meanings and explor

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Musitecture: Musical Space, Spatial Music. Sonorous Thresholds in Time-Space Intersectionse and pedagogical implications. A symbiosis between both fields could suppose the dawn of the interdisciplinary Numanities: Musitecture. The architectural distinction between content and container, such as Louis Kahn’s form and design, draws challenging analogies with musical meanings and signifiers

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The Years of 883: Italian Popular Music at the Time of Commercial Broadcastingped in Italy since the 1980s, and was fully established by the early 1990s. Issues regarding both music production and consumption will be considered. Also, some methodological concerns in the study of popular music history will be raised. The case study presented here (the pop band 883) offers a va

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by Costin Miereanu or the Topology of Ruptures and Junctionsds inhabited by “characters”, tensions, battles, ., and poly-stylistic antagonisms. This article examines the composer’s preference for the archetype of the labyrinth, which inspired him to create works dominated by the aesthetics of the irregular, of the opposition between continuity and discontinuity.

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