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Titlebook: Sounds, Societies, Significations; Numanistic Approache Rima Povilionien? Book 2017 Springer International Publishing AG 2017 Numanities.Mu

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發(fā)表于 2025-3-21 18:10:53 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Sounds, Societies, Significations
副標(biāo)題Numanistic Approache
編輯Rima Povilionien?
視頻videohttp://file.papertrans.cn/873/872061/872061.mp4
概述Covers music as a whole, from art to popular music, deploying an organic, non-elite approach to musical phenomena.Refers to repertoires and contexts that are not often analysed within musicology.Inves
叢書名稱Numanities - Arts and Humanities in Progress
圖書封面Titlebook: Sounds, Societies, Significations; Numanistic Approache Rima Povilionien? Book 2017 Springer International Publishing AG 2017 Numanities.Mu
描述.This edited book covers many topics in musicological literature, gathering various approaches to music studies that encapsulate the vivid relation music has to society. It focusses on repertoires and geographical areas that have not previously been well frequented in musicology. As readers will see, music has many roles to play in society. Music can be a generator of social phenomena, or a result of them; it can enhance or activate social actions, or simply co-habit with them. Above all, music has a stable position within society, in that it actively participates in it. Music can either describe or prescribe social aspects; musicians may have a certain position/role in society (e.g., the “popstar” as fashion leader, spokesman for political issues, etc.). Depending on the type of society, music may have a certain “meaning” or “function” (music does not mean the same thing everywhere in the world). Lastly, music can define a society, and it is not uncommon for it to best define a particular historical moment.. Case-studies in this work provide visibility for musical cultures that are rarely exposed in the dominant musicological discourse. Several contributions combine musicological
出版日期Book 2017
關(guān)鍵詞Numanities; Music; Society; Interdisciplinarity; Cultural Context; Politics; Semiotics; Italian Music; Polis
版次1
doihttps://doi.org/10.1007/978-3-319-47060-3
isbn_softcover978-3-319-83652-2
isbn_ebook978-3-319-47060-3Series ISSN 2510-442X Series E-ISSN 2510-4438
issn_series 2510-442X
copyrightSpringer International Publishing AG 2017
The information of publication is updating

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The Diversity of Artistic Work as a Response to the Needs of Contemporary Culture: On Adam Walacińskus experiences. What should the artist’s attitude be in that situation? Should he choose the path of increased “specialization” in his work or maybe quite the opposite—attempt to express his own personality in the most diversified way possible, thanks to medium diversity reaching—potentially—a large
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地板
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Music and Associations: Cultural Impact on Musical Perceptionsic and/or music may reach us almost anywhere and anytime (TV, radio, supermarkets, street musicians, etc.), thus forming our musical perception and experience. The paper focuses on the relation between cultural environments and perception of audible music language. The investigation involves not on
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發(fā)表于 2025-3-22 19:12:39 | 只看該作者
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發(fā)表于 2025-3-23 04:52:17 | 只看該作者
Musical Narrative in Representing Hiroshima: A Case Study of Erkki Aaltonen’s Second Symphony , (194poser Erkki Aaltonen’s Second Symphony . (henceforth .) is focused on as a case study. Composed in 1949, only four years after the atomic bombing, this symphony seems to be the first pure instrumental composition among more than five hundred musical works representing Hiroshima. This article discuss
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