Titlebook: Sound, Music, and Motion; 10th International S Mitsuko Aramaki,Olivier Derrien,S?lvi Ystad Conference proceedings 2014 Springer Internation

Interpolate

書目名稱Sound, Music, and Motion影響因子(影響力)




書目名稱Sound, Music, and Motion影響因子(影響力)學(xué)科排名




書目名稱Sound, Music, and Motion網(wǎng)絡(luò)公開度




書目名稱Sound, Music, and Motion網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Sound, Music, and Motion被引頻次




書目名稱Sound, Music, and Motion被引頻次學(xué)科排名




書目名稱Sound, Music, and Motion年度引用




書目名稱Sound, Music, and Motion年度引用學(xué)科排名




書目名稱Sound, Music, and Motion讀者反饋




書目名稱Sound, Music, and Motion讀者反饋學(xué)科排名

心胸開闊

https://doi.org/10.1007/978-3-319-12976-1Audio signal processing; auditory feedback; auditory perception and cognition; computational musicology

Limited

978-3-319-12975-4Springer International Publishing Switzerland 2014

itinerary

推測(cè)

擋泥板

Magnitude

Audio-Motor Synchronization: The Effect of Mapping Between Kinematics and Acoustic Cues on Geometricynchronize their gestures with synthetic friction sounds. Some geometrical and dynamical parameters of the motor productions are analyzed according to the different mappings. This experiment provides a formal framework for a wider study which aims to evaluate the relation between audition, vision and gestures.

煩人

表被動(dòng)

Investigation of the Harpist/Harp Interactioneters that govern the harp plucking action as well as the gestural strategies set up by harpists to control a musical performance. Two specific experimental procedures have been designed to accurately describe the harpist motion in realistic playing contexts. They consist in filming the plucking act

膽小鬼

Sonically Augmented Artifacts: Design Methodology Through Participatory Workshopshops addressed both theoretical issues and experimentation with prototypes. The first goal was to stimulate new ideas related to the control of everyday objects using sound feedback, and then, to create and experiment with new sonic augmented objects. The second aim was educational. We investigated