Titlebook: Sound, Music, and Motion; 10th International S Mitsuko Aramaki,Olivier Derrien,S?lvi Ystad Conference proceedings 2014 Springer Internation

Gyrate

Vibrotactile Feedback for an Open Air Music Controllerd motion. The hand motion was captured with infrared marker based motion capture technology. The marker position data was mapped to the control parameters of both sound and vibrotactile signal synthesis. Vibrotactile feedback was provided to the fingertips of the performer by sending the synthesized

追蹤

Automatic Classification of Guitar Playing Modeses such as octave playing, mixed chords and bass, chord comping, solo melodies, walking bass, etc. Robust musical interactive systems call for a precise detection of these playing modes in real-time. In this context, the accuracy of mode classification is critical because it underlies the design of

評(píng)論性

Extracting Commands from Gestures: Gesture Spotting and Recognition for Real-Time Music Performanceal control over sound and the flexibility to make distinct changes during the performance by interpreting gestures as discrete commands. We combine a gesture threshold model with a Dynamic Time Warping (DTW) algorithm for gesture spotting and classification. The following problems are addressed: i)

Radiation

On the Perception of Affect in the Singing Voice: A Study of Acoustic Cuesroad affect terms describing the two-dimensional model of emotion. A cross-tabulation between the singing expressions and affect scores revealed their relationship with affect dimensions. Prosodic as well as spectral acoustic cues were extracted and statistical analysis performed on 22 features reve

疏遠(yuǎn)天際

Novel Methods in Facilitating Audience and Performer Interaction Using the Mood Conductor Frameworknteraction between artists and audiences in live improvised music performances. By opening a direct communication channel from audience members to performers, the Mood Conductor system provides an experimental framework to study this phenomenon. Mood Conductor facilitates interactive performances an

雜色

attenuate

Seismic Sound Lab: Sights, Sounds and Perception of the Earth as an Acoustic Spacestic waves that propagate through the planet after an earthquake, emanating from the rupture on the fault. The sounds are made by time compression (i.e. speeding up) of seismic data with minimal additional processing. The animated images are renderings of numerical simulations of seismic wave propag

NOTCH

Music with Unconventional Computing: A System for Physarum Polycephalum Sound Synthesisntional computation may provide new pathways for music and music technologies. In this paper we present the development of a system for harnessing the biological computing substrate . for sonification. . is a large single cell with a myriad of diploid nuclei, which moves like a giant amoeba in its p

SIT

Intensity Shaping in Sustained Notes Encodes Metrical Cues for Synchronization in Ensemble Performanined notes, where little rhythmic information can be obtained from the sparse note onsets. Using cluster analysis of the amplitude power curves of long notes in recordings of a violin-cello duo, we examine the use of varying intensity to communicate timing information over the duration of these sust

小步走路