Titlebook: Sound, Music, and Motion; 10th International S Mitsuko Aramaki,Olivier Derrien,S?lvi Ystad Conference proceedings 2014 Springer Internation

壓倒

Learning Movement Kinematics with a Targeted Soundning task, namely to reproduce a targeted sound. The motion of a small handheld object was used to control a sound synthesizer. The object angular velocity was measured by a gyroscope and transmitted in real time wirelessly to the sound system. The targeted sound was reached when the motion matched

BUCK

savage

Vibrotactile Feedback for an Open Air Music Controller ways of controlling musical sound. Results of an informal evaluation indicate that the synthesized vibrotactile stimuli can provide useful feedback on how the performer is playing the instrument, as well as enhancing the experience of playing the given DMIs.

Oratory

Seismic Sound Lab: Sights, Sounds and Perception of the Earth as an Acoustic Spaceresent phenomena occurring far from the time and length scales normally accessible to us, creating a profound experience for the observer. The multi-sensory perception of these complex phenomena may also bring new insights to researchers.

concise

消瘦

integrated

Reverie

Extracting Commands from Gestures: Gesture Spotting and Recognition for Real-Time Music Performancehow to recognize discrete commands embedded within continuous gestures, and ii) an automatic threshold and feature selection method based on F-measure to find good system parameters according to training data.

insightful

Conference proceedings 2014rformance, music and sound data mining, interactive sound synthesis, non-stationarity, dynamics and mathematical modeling, image-sound interaction, auditory perception and cognitive inspiration, and modeling of sound and music computational musicology.

辯論