Titlebook: Research-Based Art Practices in Southeast Asia; The Artist as Produc Caroline Ha Thuc Book 2022 The Editor(s) (if applicable) and The Autho

META

,Beyond the Artist’s Discourse: Implicit and Sensuous Knowledge in Khvay Samnang’s , (2017),eat number of Cambodian artists have developed art practices based on research and fieldwork. . (2017) by Khvay Samnang is typical of this trend. An installation consisting of eleven animal masks and a two-channel 18-minute film, it features traditional dancer Rady Nget dancing in the midst of the r

不自然

Contracture

農(nóng)學(xué)

heir innovative combination of aesthetics and cognition.ShedThis book is the first overall study of research-based art practices in Southeast Asia. Its objective is to examine the creative and mutual entanglement of academic and artistic research; in short, the Why, When, What and How of research-ba

不斷的變動(dòng)

Birth of a New Art Language,cy towards research-based processes. There are obviously differences between countries, but a common feature to all is the desire to learn, to generate and transmit knowledge, with the aim to emancipate oneself from established systems of knowledge.

舊病復(fù)發(fā)

Conclusion,knowing itself, the hierarchy of knowledges and the conventional modes of knowledge production at large. In all cases, these practices contribute to a liberating process that opens up our conceptions of knowledge and of art.

草率女

,The Artist as a Producer of Knowledge: Cultural Activism in Tiffany Chung’s , (2009–),, filling the gaps in knowledge and contributing to a plural and holistic understanding of its scope. By shedding light on the singularities of each individual story, it opposes stereotypes and conveys the humanity of the refugees, who are too often perceived negatively and only approached as a homogeneous community.

我不死扛

on of the financial and economic crisis of 2007–2010. The sole point of unanimity appears to be rejection of the bailout. Even this rallying point may be questionable, because authors in favour of the bailout remained almost invisible for that very reason. Rather than produce strong articles in supp

opprobrious

Caroline Ha Thucon of the financial and economic crisis of 2007–2010. The sole point of unanimity appears to be rejection of the bailout. Even this rallying point may be questionable, because authors in favour of the bailout remained almost invisible for that very reason. Rather than produce strong articles in supp

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