Titlebook: Research-Based Art Practices in Southeast Asia; The Artist as Produc Caroline Ha Thuc Book 2022 The Editor(s) (if applicable) and The Autho

Limerick

Gratulate

This book seeks to demonstrate the emancipatory dimension of these practices, which contribute to opening up our conceptions of knowledge and of art, bestowing a new and promising role to the artists within the society.978-3-031-09583-2978-3-031-09581-8

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Book 2022ndings is exhibited as an artwork and is not published or presented in an academic format. This book seeks to demonstrate the emancipatory dimension of these practices, which contribute to opening up our conceptions of knowledge and of art, bestowing a new and promising role to the artists within the society.

阻撓

蟄伏

Research-based Art Practices: Context and Framework,knowledge that has long been neglected, and to local authoritarian systems that continuously reconfigure these previous models according to various political agendas. Ultimately, research-based art practices propose original conceptions of art and knowledge in which cognition and aesthetics mutually

epidermis

The Artist-Researcher,aterial for art and the creative convergence that arises between the artists’ research findings and their artistic language. In particular, some artists express the possibility of transcending the entanglement of academic and empirical forms of knowledge thanks to imagination, resulting in an extrao

Exclaim

,Research as Strategy: Reactivating Mythologies in Wah Nu and Tun Win Aung’s , Series (2008–),ols, the non-didactic installation resembles a monument where visitors experience a quasi-religious ritual that re-actualises a myth of resistance and freedom. After analysing the artists’ drive and their research process, this chapter questions the nature, impact and ambiguities of the artistic for

Ptsd429

,Beyond the Artist’s Discourse: Implicit and Sensuous Knowledge in Khvay Samnang’s , (2017),inhabit the world and to approach what Philippe Descola called an anthropology of nature. At once resisting and transcending any discursive approach, and instead of directly shedding light on the specific Chong community, the work opens a path towards an expanded form of knowledge, elusive, sensuous

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南極