| 書(shū)目名稱 | Research-Based Art Practices in Southeast Asia | | 副標(biāo)題 | The Artist as Produc | | 編輯 | Caroline Ha Thuc | | 視頻video | http://file.papertrans.cn/829/828078/828078.mp4 | | 概述 | Analyses the issues at stake behind research-based art practices in Southeast Asia.Approaches these art practices critically and clarifies their innovative combination of aesthetics and cognition.Shed | | 圖書(shū)封面 |  | | 描述 | This book is the first overall study of research-based art practices in Southeast Asia. Its objective is to examine the creative and mutual entanglement of academic and artistic research; in short, the Why, When, What and How of research-based art practices in the region.?In Southeast Asia, artists are increasingly engaged in research-based art practices involving academic research processes. They work as historians, archivists, archaeologists or sociologists in order to produce knowledge and/or to challenge the current established systems of knowledge production. As artists, they can freely draw on academic research methodologies and, at the same time, question or divert them for their own artistic purpose. The outcome of their research findings is exhibited as an artwork and is not published or presented in an academic format. This book seeks to demonstrate the emancipatory dimension of these practices, which contribute to opening up our conceptions of knowledge and of art, bestowing a new and promising role to the artists within the society. | | 出版日期 | Book 2022 | | 關(guān)鍵詞 | Southeast Asian studies; artistic research; Knowledge production; Contemporary art; Asian art practices | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-031-09581-8 | | isbn_softcover | 978-3-031-09583-2 | | isbn_ebook | 978-3-031-09581-8 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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