Titlebook: Italian Science Fiction; The Other in Literat Simone Brioni,Daniele Comberiati Book 2019 The Editor(s) (if applicable) and The Author(s), u

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火海

SLAG

Explorations and the Creation of a National Identity,y’s future as a unified country, and warned of its enemies, aided in consolidating public opinion. Novels like Paolo Mantegazza’s . (1897), Emilio Salgari’s . (1901), and Enrico Novelli (Yambo)’s . (1907), featured exoticized Others in order to construct a cohesive national identity by contrast, and

right-atrium

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After the Apocalypse: Repression and Resistance,ial and economic changes. Ugo Gregoretti’s . (1963) speaks about the fear of the Americanization of Italy’s culture, and the effect of alienation in a consumerist society. Ubaldo Ragona and Sidney Salkow’s . captures a transitional moment, and Italy’s ambiguous status as both a colonizing and neocol

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Aliens in a Country of Immigration: Intersectional Perspectives, Anna Rinonapoli’s “Metamorfosi cosmica” [Cosmic Metamorphosis] (1986), and Luce D’Eramo’s . [They Will Leave] (1986) all attempt to reimagine the dualism of human or non-human, which mirrors that between Self and Other. Drawing on Donna Haraway’s critical reflections, the chapter demonstrates how s

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Dystopic Worlds and the Fear of Multiculturalism,grant authors, such as Amor Dekhis, Miguel Angel Garcia, and Christiana de Caldas Brito, this chapter explores the representation of racial purity and hybridity in Italian dystopic narratives from the 1980s to the 2000s. The chapter traces the shift from dystopic narratives of the 1980s and 1990s—wh

Malaise

The ,: Reconfiguring Separatism,uses on Gabriele Salvatores’s movie Nirvana (1997), which depicts the tensions between an imaginary Northern Conglomerate and the rest of the world; Tullio Avoledo’s dystopic novel about the memory of the Holocaust, La ragazza di Vajont (2008); and Francesco Patierno’s movie Cose dell’altro mondo (2

acrophobia