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Titlebook: Italian Science Fiction; The Other in Literat Simone Brioni,Daniele Comberiati Book 2019 The Editor(s) (if applicable) and The Author(s), u

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發(fā)表于 2025-3-21 16:04:47 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Italian Science Fiction
副標(biāo)題The Other in Literat
編輯Simone Brioni,Daniele Comberiati
視頻videohttp://file.papertrans.cn/476/475983/475983.mp4
概述Contributes to film studies, the study of women writers, critical race theory, comics studies, and adaptation studies.Studies memory of colonialism in Italian popular culture.Examines the links betwee
叢書(shū)名稱Studies in Global Science Fiction
圖書(shū)封面Titlebook: Italian Science Fiction; The Other in Literat Simone Brioni,Daniele Comberiati Book 2019 The Editor(s) (if applicable) and The Author(s), u
描述.This book explores Italian science fiction from 1861, the year of Italy’s unification, to the present day, focusing on how this genre helped shape notions of Otherness and Normalness. In particular, .Italian Science Fiction. draws upon critical race studies, postcolonial theory, and feminist studies to explore how migration, colonialism, multiculturalism, and racism have been represented in genre film and literature. Topics include the role of science fiction in constructing a national identity; the representation and self-representation of “alien” immigrants in Italy; the creation of internal “Others,” such as southerners and Roma; the intersections of gender and race discrimination; and Italian science fiction’s transnational dialogue with foreign science fiction. This book reveals that though it is arguably a minor genre in Italy, science fiction offers an innovative interpretive angle for rethinking Italian history and imagining future change in Italian society..
出版日期Book 2019
關(guān)鍵詞postcolonial Italy; science fiction area studies; migration and Italy; colonialism and Italy; Italian sc
版次1
doihttps://doi.org/10.1007/978-3-030-19326-3
isbn_softcover978-3-030-19328-7
isbn_ebook978-3-030-19326-3Series ISSN 2569-8826 Series E-ISSN 2569-8834
issn_series 2569-8826
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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發(fā)表于 2025-3-21 22:50:23 | 只看該作者
Explorations and the Creation of a National Identity, to justify colonial conquests. Explorers became the Italian literary heroes of the nineteenth century, making the terms “discovery” and “conquest” synonymous, thereby erasing the existence of indigenous people.
板凳
發(fā)表于 2025-3-22 00:54:09 | 只看該作者
Futurism and Science Fiction,aign to prepare the populace for the conquest of a new empire. The analysis shows that while Mafarka expressed generic fantasies of domination in the wake of the Libyan War of 1911–12, Lo Zar non è morto expresses more openly racist, sexist, and anti-communist sentiments, in line with the regime’s racist policies in the 1930s.
地板
發(fā)表于 2025-3-22 05:17:02 | 只看該作者
After the Apocalypse: Repression and Resistance,onial country with strong political and economic ties to the United States. Liliana Cavani’s . (1970) expresses the fear of authoritarianism and political terrorism after the civil rights protest of 1968.
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The Internal Other: Representing Roma, significance in depicting the destruction of Italy’s rural areas and the internal colonization of the countryside. . presents a different view on Roma than ., which depicts this group as an imaginary presence.
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Afterword: A Genre Across Cultures,ile science fiction in Italy has too often been perceived as a genre divorced from the identity politics narrated in coeval realist literature, this section argues that the science fiction genre is not isolated from social and political debates.
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