Titlebook: Italian Science Fiction; The Other in Literat Simone Brioni,Daniele Comberiati Book 2019 The Editor(s) (if applicable) and The Author(s), u

Malicious

書目名稱Italian Science Fiction影響因子(影響力)




書目名稱Italian Science Fiction影響因子(影響力)學科排名




書目名稱Italian Science Fiction網絡公開度




書目名稱Italian Science Fiction網絡公開度學科排名




書目名稱Italian Science Fiction被引頻次




書目名稱Italian Science Fiction被引頻次學科排名




書目名稱Italian Science Fiction年度引用




書目名稱Italian Science Fiction年度引用學科排名




書目名稱Italian Science Fiction讀者反饋




書目名稱Italian Science Fiction讀者反饋學科排名

舊式步槍

Explorations and the Creation of a National Identity, to justify colonial conquests. Explorers became the Italian literary heroes of the nineteenth century, making the terms “discovery” and “conquest” synonymous, thereby erasing the existence of indigenous people.

清楚說話

Futurism and Science Fiction,aign to prepare the populace for the conquest of a new empire. The analysis shows that while Mafarka expressed generic fantasies of domination in the wake of the Libyan War of 1911–12, Lo Zar non è morto expresses more openly racist, sexist, and anti-communist sentiments, in line with the regime’s racist policies in the 1930s.

infantile

After the Apocalypse: Repression and Resistance,onial country with strong political and economic ties to the United States. Liliana Cavani’s . (1970) expresses the fear of authoritarianism and political terrorism after the civil rights protest of 1968.

lambaste

The Internal Other: Representing Roma, significance in depicting the destruction of Italy’s rural areas and the internal colonization of the countryside. . presents a different view on Roma than ., which depicts this group as an imaginary presence.

A簡潔的

Mindfulness

Afterword: A Genre Across Cultures,ile science fiction in Italy has too often been perceived as a genre divorced from the identity politics narrated in coeval realist literature, this section argues that the science fiction genre is not isolated from social and political debates.

咽下

保存

Hay-Fever