Titlebook: David Lynch; Blurred Boundaries Anne Jerslev Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer

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https://doi.org/10.1007/978-3-030-73924-9Media; Communication; Culture; Stories; Films

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Lynchian Atmospheres: About and Around , (2007): An Installational Exhibition,building from 1994 on Boulevard Raspail, Montparnasse, Paris. Housing an exhibition area on the ground and basement floors and offices on the remaining floors, the Fondation Cartier hosted the first comprehensive David Lynch exhibition in Europe, ., from March 3 to May 27, 2007. The chief curator wa

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David Lynch and Time: Textures of Ageing, that time dissolves altogether. However, in this chapter I argue that this is not always the case. David Lynch is in many works occupied with the passing of time; my point, however, is that he never constructs time as simply straight-out linear. I discuss how the close-ups of Alvin’s ageing face in

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David Lynch and Visual Noise,ich Lynch himself has called experiments, and secondly, I scrutinize the 15-minute commercial entitled . for Dior. Finally, I discuss two of the music videos included in Lynch’s work, . and .. Common to this diversity of works is that they all experiment with both the audio and the visual. Drawing o

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David Lynch and Fear: The Uncanny and the Sublime,into Freud’s predecessor Ernst Jentsch’s discussion about the uncanny, just as it outlines the rich discussion concerning Freud’s reading of E. T. A Hoffmann’s novel “The Sandman” (Der Sandmann). One point is to demonstrate that the theoretical explanations of what brings about the uncanny can usefu

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