Titlebook: David Lynch; Blurred Boundaries Anne Jerslev Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer

投射技術

書目名稱David Lynch影響因子(影響力)




書目名稱David Lynch影響因子(影響力)學科排名




書目名稱David Lynch網(wǎng)絡公開度




書目名稱David Lynch網(wǎng)絡公開度學科排名




書目名稱David Lynch被引頻次




書目名稱David Lynch被引頻次學科排名




書目名稱David Lynch年度引用




書目名稱David Lynch年度引用學科排名




書目名稱David Lynch讀者反饋




書目名稱David Lynch讀者反饋學科排名

SEMI

Set Membership Identification: The ,, Casen of every single piece, large or small, that he has made in addition to the films and the . series. I have not been excavating the Internet for hidden gems bearing the Lynch signature, as I am sure devoted Lynch fans would be better informed about this than I am. Yet, this book explores a diversity

Optometrist

https://doi.org/10.1007/978-3-031-01315-7ng room with back exit rooms. Most of this chapter takes the form of a reflection upon . as an intermedial space and what I argue could be called an .. I reflect upon how the visitor is involved and immersed and how a certain atmosphere is created in this space. I argue throughout this book that atm

事與愿違

Current Trends in Preparatory Proceedingsof sublime imagery in Lynch’s work with a focus on the White Sands atomic bomb explosion in Twin Peaks: The Return. Besides being a mind-blowing, fantastic piece of audio-visual art, it shows the way Lynch creates feelings of fear and awe by aesthetically combining an uncanny sense of claustrophobia

性滿足

SHRIK

hich Lynch has worked throughout his career with different art forms and has right from the start experimented with the blurring of boundaries between media and genres. And it discusses ways Lynch creates atmospheres by different audio-visual and visual means..978-3-030-73926-3978-3-030-73924-9

SHRIK

Introduction,n of every single piece, large or small, that he has made in addition to the films and the . series. I have not been excavating the Internet for hidden gems bearing the Lynch signature, as I am sure devoted Lynch fans would be better informed about this than I am. Yet, this book explores a diversity

MODE

Lynchian Atmospheres: About and Around , (2007): An Installational Exhibition,ng room with back exit rooms. Most of this chapter takes the form of a reflection upon . as an intermedial space and what I argue could be called an .. I reflect upon how the visitor is involved and immersed and how a certain atmosphere is created in this space. I argue throughout this book that atm

容易生皺紋

David Lynch and Fear: The Uncanny and the Sublime,of sublime imagery in Lynch’s work with a focus on the White Sands atomic bomb explosion in Twin Peaks: The Return. Besides being a mind-blowing, fantastic piece of audio-visual art, it shows the way Lynch creates feelings of fear and awe by aesthetically combining an uncanny sense of claustrophobia

天空

Conclusion,ly against that narrow-minded method that will leave nothing out, it is obeying an epistemological motive” (ibid.: 164), with which he agrees. Instead, he suggests that the essay “must let the totality light up in one of its chosen or haphazard features but without asserting that the whole is presen