Titlebook: David Lynch; Blurred Boundaries Anne Jerslev Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer

破裂

Anne JerslevProvides a unique and original approach which covers David Lynch’s entire work..Focuses on blurred boundaries as characteristically Lynchian..Explores Lynch from exhibition to videos, from TV series t

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Contracture

https://doi.org/10.1007/978-3-031-01315-7building from 1994 on Boulevard Raspail, Montparnasse, Paris. Housing an exhibition area on the ground and basement floors and offices on the remaining floors, the Fondation Cartier hosted the first comprehensive David Lynch exhibition in Europe, ., from March 3 to May 27, 2007. The chief curator wa

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Scientific Progress and the Search for Truth that time dissolves altogether. However, in this chapter I argue that this is not always the case. David Lynch is in many works occupied with the passing of time; my point, however, is that he never constructs time as simply straight-out linear. I discuss how the close-ups of Alvin’s ageing face in

搖曳的微光

Scientific Progress and the Search for Trutheen to experiment with a new form of documentary I call an intermedia documentary. Just like in ., this intermedia documentary deploys a sense of continuous time, but at the same time it constitutes a more discontinuous time by virtue of the website’s interactive affordances. Whereas the . offers im

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Customary

Current Trends in Philosophy of Sciencein particular Friedrich Schlegel, to think through the fragments in Lynch’s work. Starting from a discussion about Schlegel’s seminal late eighteenth-century writing about the fragment as well as some of the more recent discussions of this concept, I delineate four different kinds of fragments in Ly

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Current Trends in Preparatory Proceedingst be applied to both Lynch’s work and to the scholarly take on his work, which I have presented in this book. Adorno’s main point about the essay is that it is knowledgeable, while it simultaneously refuses exhaustiveness. The essay, says Adorno, “stops where it feels itself complete—not where nothi