Titlebook: Dance in the Field; Theory, Methods and Theresa J. Buckland (Senior Lecturer, Head of Depa Book 1999 Palgrave Macmillan, a division of Mac

CRANK

Michael C. Zacharisen,Jordan FinkStories about famous figures in social anthropology abound among new graduate students. At the Institute of Social Anthropology (Oxford) in the early 1970s we were no different, but I could verify the anecdotes about E.E. Evans-Pritchard, who (though recently retired in 1970), was available in his rooms at the Institute, or at a nearby pub.

crockery

索賠

conjunctiva

使堅(jiān)硬

Perineal Fistula/Anus (in the Female)an and derived societies) it is widely assumed that what we call ‘the arts’ are merely for entertainment and enjoyment from which nothing of significance can be learned. The arts in general, and the dance in particular, are regarded as peripheral, expendable, and of no great importance in education

GUEER

Introduction: Reflecting on Dance Ethnography, the first book to address ethnographic practices in the study of dance and human movement systems. The contributors to this volume speak not only from different geographical but also intellectual positions. Thus my use of the term ‘dance ethnography’ is deliberate, since it both underlines the pre

AVERT

The Mystique of Fieldworkts ‘have, in principle, all undergone the ordeals of a common ., i.e. they have all undergone at least a year of field work in some exotic area. The field notes of this year are their store of magic potency, their .. It is the magical element in this that makes them spend it so economically; spiritu

IRATE

Past and Present in Field Research: a Critical History of Personal Experiencearcher’s second-order construct of the perceived reality is necessarily different from the first-order realized by the participants (Schutz and Luckmann, 1973, p. 53). None the less, while aware of the high degree of subjectivity inherent in any attempt to translate an experience into word, sound an

座右銘

Folk Dance Research in Hungary: Relations among Theory, Fieldwork and the Archiventific investigation into folk dance traditions in Hungary. The particular ethos of Hungarian folk dance research, which is shared to a greater or lesser extent with other countries in east and central Europe, has been determined by three specific features: a vigorous and rich traditional dance cult

1FAWN