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Titlebook: Dance in the Field; Theory, Methods and Theresa J. Buckland (Senior Lecturer, Head of Depa Book 1999 Palgrave Macmillan, a division of Mac

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樓主: Harrison
21#
發(fā)表于 2025-3-25 06:58:04 | 只看該作者
Dissection of a Freshwater Mussel (,)ot only among the young, but also among the middle-aged and the elderly. ‘Senior dance’, a genre of specially designed ‘folk dances’ for the elderly invented in Germany in the mid-1980s, has become a popular dance genre in Sweden since the early 1990s, and continues to spread fast (Ronstr?m, 1994).
22#
發(fā)表于 2025-3-25 08:50:17 | 只看該作者
Pelvic MRI Anatomy in the Femalehe dances of the particular island for a number of years prior to doing fieldwork.. This chapter focuses on ethical and political issues which emerged in that situation and considers the tensions and dilemmas which it foregrounded.
23#
發(fā)表于 2025-3-25 13:08:39 | 只看該作者
24#
發(fā)表于 2025-3-25 19:46:04 | 只看該作者
Dance on Film: Strategy and Serendipityo, as far back as 1973, suggested that we think of a film as ‘a(chǎn)n arena of inquiry’, rather than as an aesthetic or scientific performance (1995, p. 128). MacDougall’s arguments have contributed to my two film projects on Javanese dance, which have been part of ongoing research over nearly 20 years and which provide the focus of this chapter..
25#
發(fā)表于 2025-3-25 21:38:21 | 只看該作者
It Takes Two — or More — to Tango: Researching Traditional Music/Dance Interrelationsot only among the young, but also among the middle-aged and the elderly. ‘Senior dance’, a genre of specially designed ‘folk dances’ for the elderly invented in Germany in the mid-1980s, has become a popular dance genre in Sweden since the early 1990s, and continues to spread fast (Ronstr?m, 1994).
26#
發(fā)表于 2025-3-26 02:42:57 | 只看該作者
27#
發(fā)表于 2025-3-26 05:05:24 | 只看該作者
28#
發(fā)表于 2025-3-26 10:57:26 | 只看該作者
29#
發(fā)表于 2025-3-26 14:08:45 | 只看該作者
30#
發(fā)表于 2025-3-26 19:34:22 | 只看該作者
J. Andrew Grant,Patricia A. Leonardarcher’s second-order construct of the perceived reality is necessarily different from the first-order realized by the participants (Schutz and Luckmann, 1973, p. 53). None the less, while aware of the high degree of subjectivity inherent in any attempt to translate an experience into word, sound an
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