Titlebook: Classical Music and Opera During and After the COVID-19 Pandemic; Empirical Research o Steffen Lepa,Ruth Müller-Lindenberg,Hauke Egermann B

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Muthu Ramachandran,Zaigham Mahmood the rehearsal procedures but also the staging itself. During the staging of an adaptation of Gioachino Rossini’s . in October 2020 by the University of British Columbia Opera program, which is described here as an example, rather than having 65 singers on stage, as previously planned, staging was a

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Muhammad Aufeef Chauhan,Christian W. Probstxperience for patrons, sponsors, media representatives, and—of course—the audience. Artistic directors play a particularly important role in festivals, as their reputation significantly contributes to the event’s standing in the international festival scene and they make crucial decisions regarding

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Muhammad Aufeef Chauhan,Christian W. Probstnitiative ., evoke new hopes for gaining new and younger audience segments. In my study, I conducted seven in-depth interviews with . recipients from Germany, the UK, Ireland, and the USA and analyzed statements on their experiences with streaming opera by employing qualitative content analysis. The

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Muhammad Aufeef Chauhan,Christian W. Probst streams of Western classical music in ecologically valid settings. Based on an online survey, a latent profile analysis identified three different audience segments of classical concert streams. These are differentiated by different preferences for stream characteristics. In a subsequent experiment

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https://doi.org/10.1007/978-3-030-83549-1f the post-pandemic classical concert audience in the German capital. Specifically, it determines typical media usage patterns employed for listening to classical music in the every day, with the surprising finding that a third of the audience rarely ever listens to classical music in such contexts.

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https://doi.org/10.1007/978-3-030-83549-1 At the beginning of the pandemic, they served as chief dramaturgs: MF at the . and UL at the .. On May 16th, 2022, during a time when lockdowns and most pandemic measures had already been released in Germany, they agreed to a half-hour online meeting and talked with Ruth Müller-Lindenberg (RML) abo

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https://doi.org/10.1007/978-3-031-42975-0COVID-19 Pandemic; Digital Transformation; Experimental Concert Research; Music Business; Opera Manageme