Titlebook: Classical Music and Opera During and After the COVID-19 Pandemic; Empirical Research o Steffen Lepa,Ruth Müller-Lindenberg,Hauke Egermann B

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書(shū)目名稱Classical Music and Opera During and After the COVID-19 Pandemic影響因子(影響力)




書(shū)目名稱Classical Music and Opera During and After the COVID-19 Pandemic影響因子(影響力)學(xué)科排名




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書(shū)目名稱Classical Music and Opera During and After the COVID-19 Pandemic讀者反饋




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美麗的寫(xiě)

Muhammad Aufeef Chauhan,Christian W. Probstd with a confusing myriad of strict security precautions, cancellations, and digital alternatives. From the point of view of strategic communications theory, festival operations have been in a permanent communications crisis for more than a year and, in many cases, the driving force (and figurehead)

表否定

Muhammad Aufeef Chauhan,Christian W. Probstent new reception styles. These include interactive forms such as commenting simultaneously—either online or offline—on what is happening on stage with other users. However, generally, the interviewees tend to experience an opera stream as less emotionally intense compared to a live opera visit. In

開(kāi)始發(fā)作

開(kāi)始發(fā)作

https://doi.org/10.1007/978-3-030-83549-1ies but also stimulated usage in new segments of the classical concert audience (especially “digital natives”, women and higher-educated), thereby reducing priorly existing inequalities in digital cultural participation. Furthermore, results also show that any fears of concert streams becoming a sub

VOC

項(xiàng)目

The Pandemic as a Peephole into the Ongoing Digital Transformation of Opera,rate that from an artistic perspective, skepticism against digital formats is still very prevalent, while responsible managers also see the necessity to further improve the digital portfolio of their houses. On the other hand, some of the interviewees feel that their institutions are not sufficientl

來(lái)這真柔軟

The Role of Artistic Directors of Classical Music Festivals in COVID-19 Crisis Communication,d with a confusing myriad of strict security precautions, cancellations, and digital alternatives. From the point of view of strategic communications theory, festival operations have been in a permanent communications crisis for more than a year and, in many cases, the driving force (and figurehead)