Titlebook: Classical Music and Opera During and After the COVID-19 Pandemic; Empirical Research o Steffen Lepa,Ruth Müller-Lindenberg,Hauke Egermann B

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Thyroiditis

Quo Vadis Classical Music? Remarks on the Post-pandemic Condition,ries around the globe during the first 2 years of the COVID-19 pandemic. A special focus is put on the various streaming initiatives that emerged to counterbalance the lack of possibilities to visit concerts in person. Another topic is the challenges of organizing cultural events under ‘social dista

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Noisome

The Pandemic as a Peephole into the Ongoing Digital Transformation of Opera,onnel of the three Berlin opera houses. For interpretation, they conceive of the opera house as a “mediatized world,” a whole-life world being subject to ongoing media-technological change in terms of “digitalization,” which not only affects the artistic output but also the whole work organization,

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The Role of Artistic Directors of Classical Music Festivals in COVID-19 Crisis Communication,xperience for patrons, sponsors, media representatives, and—of course—the audience. Artistic directors play a particularly important role in festivals, as their reputation significantly contributes to the event’s standing in the international festival scene and they make crucial decisions regarding

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Coma704

Digital Concert Experience: An Online Research Project on Live Streaming During the Pandemic, streams of Western classical music in ecologically valid settings. Based on an online survey, a latent profile analysis identified three different audience segments of classical concert streams. These are differentiated by different preferences for stream characteristics. In a subsequent experiment

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Handedness

Combining Two Different Worlds: A Post-pandemic Interview with the Dramaturgs Dr. Merle Fahrholz an At the beginning of the pandemic, they served as chief dramaturgs: MF at the . and UL at the .. On May 16th, 2022, during a time when lockdowns and most pandemic measures had already been released in Germany, they agreed to a half-hour online meeting and talked with Ruth Müller-Lindenberg (RML) abo

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