Titlebook: Chaucer‘s Pardoner and Gender Theory; Bodies of Discourse Robert S. Sturges Book 2000 Palgrave Macmillan, a division of Nature America Inc.

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The Pardoner’s (Over-)Sexed Bodyrolyn Dinshaw’s “feminist” hermeneutical models,. Burger uses the work of Jonathan Dollimore to reveal some of the ways in which “the Pardoner’s destabilizing presence can provoke the kind of social and discursive dislocation that Dollimore calls ‘discoherence.’”. Here is Dollimore’s own definition:

Hyperalgesia

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2945-5936 from the perspective of both medieval and twentieth-century theories of sex, gender, and erotic practice. Sturges argues for a discontinuous, fragmentary reading of this character and his tale that is genuinely both premodern and postmodern. Drawing on theorists ranging from St. Augustine and Alain

要素

https://doi.org/10.1007/978-1-4302-0166-3An investigation of this concern might be initiated with Chaucer’s various treatments of the Orpheus myth—the myth that links dismemberment to poetry and to the feminine—as it was understood in the Middle Ages, an exploration I will undertake in this chapter. (The relevance of the related myth of Dionysus has already been discussed in chapter 1.)

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