Titlebook: Chaucer‘s Pardoner and Gender Theory; Bodies of Discourse Robert S. Sturges Book 2000 Palgrave Macmillan, a division of Nature America Inc.

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侵害

The Pardoner’s Genders: Linguistic and Otherc reference to three related components of gender identity: the sexed body, socially constructed gender presentation, and erotic practice. While at least some late- twentieth-century readers distinguish among these three components, medieval sources sometimes do not, often assuming instead that what

anthropologist

愛花花兒憤怒

The Pardoner’s Different Erotic Practicesoup, to use an often-repeated critical formula. At least until quite recently, this moral status has been regularly, though not universally, associated not only with the Pardoner’s unorthodox body, but also with an unorthodox sexuality. The Pardoner’s physical description in the . allows him an effe

單調(diào)性

The Pardoner Unveiledagainst a vaguely modern urban background; one figure has its (his? her?) hand around the other’s shoulder. The most striking aspect of the drawing is that both heads are heavily veiled in white cloths like pillowcases, whose folds, loosely clinging to their features, both reveal that there are invi

正式通知

A Speaking and Singing Subjectto hym a stif burdoun…” (I, 672–73). At the end of the portrait, he’s still singing, though the circumstances are quite different: “Wel koude he rede a lessoun or a storie, / But alderbest he song an offertorie; / For wel he wiste, whan that song was songe, / He moste preche and wel affile his tonge

正式通知

The Dismemberment of the Pardoner), one I touched on only briefly earlier: the fragmented or dismembered body, which is of considerable interest to both the Pardoner and the Prioress.An investigation of this concern might be initiated with Chaucer’s various treatments of the Orpheus myth—the myth that links dismemberment to poetry

Blanch

helper-T-cells

語源學(xué)

Palgrave Macmillan, a division of Nature America Inc. 2000