Titlebook: Basics of Perception in Architecture; J?rg Kurt Grütter Textbook 2020 Springer Fachmedien Wiesbaden GmbH, part of Springer Nature 2020 Arc

諂媚于人

,Introduction—The Foundations of Perception,r” and the human being as the “receiver”. As “receivers” we perceive the messages of the “sender” via different “channels”, i.e. via our different sensory organs (Fig.?1.1). The signals we receive via our five sensory organs are further processed in the brain (see Sect.?1.3.1).

意外

Hirsutism

Culture and Style,illustrating these abstract ideas with concrete forms. Architecture plays a primary role in this process of transformation. As Hermann Muthesius, one of the early programmatic thinkers in the Deutscher Werkbund, wrote in 1911: “For its architectonic culture remains the true index of a nation’s cultu

Cpr951

Site and Surroundings, of these relationships are formed through learning; in only a few cases are they based on instinctive reactions. This means that forming a relationship to our surroundings entails learning the meaning of the different objects around us, where they are and how we have to behave in relation to them.

instructive

Space,nd nevertheless measurable: “There’s enough space available” … “The space is full” … This conception corresponds to that formulated by Aristotle, who, in his writings, was the first Occidental thinker to deal with the concept of space. He compared space to a vessel, a void that had to be enclosed in

針葉類的樹(shù)

Form, mental concepts and primal forms. Just as language consists of words, every design vernacular is composed of various basic patterns or elemental forms. In Sect.?1.2.5 we saw that every message includes a certain amount of redundancy, i.e. a portion of its signs is not informative but “waste”.

Inclement

Harmony, between all elements of a phenomenon. In ancient Greek mythology, Harmonia was the daughter of Ares, the god of war, and Aphrodite, the goddess of beauty and love. Harmony emerges from the combination of two contrasting elements.

Gullible

Movement and Path, compared with the duration of a human life, for the most part, even today, they endure for a long time. Unlike music and dance, for example, architecture does not include the temporal dimension. A piece of music has a beginning, lasts for a certain time span and then ends at a precisely defined poi

conscience

Light and Colour,ical necessity; its psychological significance is one of the most important factors of human existence in general. The architect Morris Lapidus claimed that people are like moths, which instinctively throw themselves at a bright light; in a similar way, we are drawn to bright light without being awa

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