Titlebook: Basics of Perception in Architecture; J?rg Kurt Grütter Textbook 2020 Springer Fachmedien Wiesbaden GmbH, part of Springer Nature 2020 Arc

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https://doi.org/10.1007/978-3-658-31156-8Architecture; Architecture - theory; Architeture - praxis; Architecture - perception; Design

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剛毅

Culture and Style,illustrating these abstract ideas with concrete forms. Architecture plays a primary role in this process of transformation. As Hermann Muthesius, one of the early programmatic thinkers in the Deutscher Werkbund, wrote in 1911: “For its architectonic culture remains the true index of a nation’s culture as a whole.

玉米棒子

Site and Surroundings, of these relationships are formed through learning; in only a few cases are they based on instinctive reactions. This means that forming a relationship to our surroundings entails learning the meaning of the different objects around us, where they are and how we have to behave in relation to them.

嚴(yán)厲譴責(zé)

Form, mental concepts and primal forms. Just as language consists of words, every design vernacular is composed of various basic patterns or elemental forms. In Sect.?1.2.5 we saw that every message includes a certain amount of redundancy, i.e. a portion of its signs is not informative but “waste”.

健談

壓艙物

Movement and Path, compared with the duration of a human life, for the most part, even today, they endure for a long time. Unlike music and dance, for example, architecture does not include the temporal dimension. A piece of music has a beginning, lasts for a certain time span and then ends at a precisely defined point in time.