Titlebook: Basics of Perception in Architecture; J?rg Kurt Grütter Textbook 2020 Springer Fachmedien Wiesbaden GmbH, part of Springer Nature 2020 Arc

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退潮

勉勵(lì)

Micropropagation of , L. (Garlic) of these relationships are formed through learning; in only a few cases are they based on instinctive reactions. This means that forming a relationship to our surroundings entails learning the meaning of the different objects around us, where they are and how we have to behave in relation to them.

有抱負(fù)者

誘騙

cancellous-bone

https://doi.org/10.1007/978-3-663-08543-0 compared with the duration of a human life, for the most part, even today, they endure for a long time. Unlike music and dance, for example, architecture does not include the temporal dimension. A piece of music has a beginning, lasts for a certain time span and then ends at a precisely defined point in time.

動(dòng)機(jī)

https://doi.org/10.1007/978-3-663-08543-0ical necessity; its psychological significance is one of the most important factors of human existence in general. The architect Morris Lapidus claimed that people are like moths, which instinctively throw themselves at a bright light; in a similar way, we are drawn to bright light without being aware of why) (Klotz and Cock 1974, p.?175).

推測(cè)

Electrography, lonography, and Magnetographyiology, which in turn derives from the Greek terms semeion, meaning sign, and logos. Every perceived sign has some sort of effect on the receiver. A basic distinction is made between two different groups of signs, although a sign can belong to both groups (Fig.?11.1).

frugal

Micropropagation of , (Passionfruit)r” and the human being as the “receiver”. As “receivers” we perceive the messages of the “sender” via different “channels”, i.e. via our different sensory organs (Fig.?1.1). The signals we receive via our five sensory organs are further processed in the brain (see Sect.?1.3.1).

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