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Titlebook: Arts and Power; Policies in and by t Lisa Gaupp,Alenka Barber-Kersovan,Volker Kirchberg Book 2022 Springer Fachmedien Wiesbaden GmbH, part

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發(fā)表于 2025-3-21 16:21:57 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱(chēng)Arts and Power
期刊簡(jiǎn)稱(chēng)Policies in and by t
影響因子2023Lisa Gaupp,Alenka Barber-Kersovan,Volker Kirchberg
視頻videohttp://file.papertrans.cn/163/162773/162773.mp4
發(fā)行地址Concepts of power and domination and their role in contemporary arts.Theoretical und empirical approaches.International study
學(xué)科分類(lèi)Kunst und Gesellschaft
圖書(shū)封面Titlebook: Arts and Power; Policies in and by t Lisa Gaupp,Alenka Barber-Kersovan,Volker Kirchberg Book 2022 Springer Fachmedien Wiesbaden GmbH, part
影響因子.The focus on concepts of power and domination in societal structures has characterized sociology since its beginnings. Max Weber’s definition of power as “imposing one’s will on others” is still relevant to explaining processes in the arts, whether their production, imagination, communication, distribution, critique or consumption. Domination in the arts is exercised by internal and external rulers through institutionalized social structures and through beliefs about their legitimacy, achieved by defining and shaping art tastes..The complexity of how the arts relate to power arises from the complexity of the?.policies?.of artistic production, distribution and consumption—policies which serve to facilitate or hinder an aesthetic object from reaching its intended public. Curators, critics and collectors employ a variety of forms of cultural and artistic communication to mirror and shape the dominant social, economic and political conditions..Arts and Power: Policies in and by the Arts?.brings together diverse voices who position the societal functions of art in fields of domination and power, of structure and agency—whether they are used to impose hegemonic, totalitarian or unjust g
Pindex Book 2022
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2625-1531 s of art in fields of domination and power, of structure and agency—whether they are used to impose hegemonic, totalitarian or unjust g978-3-658-37428-0978-3-658-37429-7Series ISSN 2625-1531 Series E-ISSN 2625-154X
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https://doi.org/10.1007/978-3-030-68900-1e by shaping taste. The politics of cultural production, on the other hand, must be examined as a relationship between power and the arts. The breakdown of the book is presented with chapters in three sections, “Establishing and De-establishing Power in the Arts,” “Arts and the Power of Social Struc
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https://doi.org/10.1057/9780230524262ct on public policy in the context of what became framed as Germany’s “refugee crisis”. We explain how we understand “discursive power”, rhetorical forces and the “forces of good reasons” within the framework of a discourse theory: Discursive power refers to forms of power of actors to deliberately
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