Titlebook: Arts and Power; Policies in and by t Lisa Gaupp,Alenka Barber-Kersovan,Volker Kirchberg Book 2022 Springer Fachmedien Wiesbaden GmbH, part

讓步

,Power and Policies in and by the Arts—Introduction,e by shaping taste. The politics of cultural production, on the other hand, must be examined as a relationship between power and the arts. The breakdown of the book is presented with chapters in three sections, “Establishing and De-establishing Power in the Arts,” “Arts and the Power of Social Struc

Individual

全國性

Locale

Clumsy

Equality, History, Tradition: Gender-Political Issues in the Oxford Collegiate Choral Sceneenors); and a boy treble line in the front rows, mirroring the cathedral choral tradition within the Church of England. During the last decades, the Oxford collegiate choirs have undergone drastic changes, with the establishment of mixed voice choirs. This text will present findings of a music-socio

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Female Bodybuilding and Patriarchal Civilization. The Intrusion of a Practice in Sport into Artisticbalization beyond its origins in the United States and the United Kingdom, which was also facilitated by the internet—psycho power—and which redefined the practice’s visibility after the iconic turn in an overall economy of appearance and attention. Of special relevance, this essay analyzes some of

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Ventilator

“The Dead are Coming”. Contemporary Interventionist Art, Political Beauty, and the Power of Reasonct on public policy in the context of what became framed as Germany’s “refugee crisis”. We explain how we understand “discursive power”, rhetorical forces and the “forces of good reasons” within the framework of a discourse theory: Discursive power refers to forms of power of actors to deliberately

FORGO

https://doi.org/10.1007/978-3-658-37429-7Power; Politics in Art; Political Art; Affirmative Art; Arts Sociology; Critical Art; Art organization; Eva

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