Titlebook: Arts and Power; Policies in and by t Lisa Gaupp,Alenka Barber-Kersovan,Volker Kirchberg Book 2022 Springer Fachmedien Wiesbaden GmbH, part

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Arts and Power978-3-658-37429-7Series ISSN 2625-1531 Series E-ISSN 2625-154X

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Lisa Gaupp,Alenka Barber-Kersovan,Volker KirchbergConcepts of power and domination and their role in contemporary arts.Theoretical und empirical approaches.International study

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Rape of the Nation: , (2009) and , (2010),erican communities. Under the direction of the University of Chicago in collaboration with Theaster Gates, an African American artist, educator, entrepreneur and Chicago South Side native who has carved out a powerful position as a creative-pacemaker and arts impresario at the university a number of

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, (2006): The , and Circular Time, worlds and does so by focusing on paradigmatic worldviews. I reconstruct the ranking .’s understanding of art’s role in society, its assumed internal mechanisms and the function of power in it. My results show how the list makes sense within its own terms, because the analysis highlights the consis

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The Camera as an Irigarayan Speculum,es. Research on art perception is deeply involved in these issues as it promotes specific worldviews over others. The paper discusses resent developments of the research on art perception in terms of power relations. It asks how different research traditions prefer a specific conception of art and a

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Laura U. Marks,Radek Przedpe?ski possibilities to do this. Rather, it is above all the side effects of the social areas of family and school which shape the behaviour of visitors in art organisations, with the result that striking similarities can be observed in visitor behaviour in general.