Titlebook: Visual Securitization; Humanitarian Represe Alice Massari Book‘‘‘‘‘‘‘‘ 2021 The Editor(s) (if applicable) and The Author(s) 2021 Visual sec

戰(zhàn)役

Humanitarianism, Securitization and Humanitarian Communicationsual production, to the securitization of the refugee issue, it is important to introduce the notions of humanitarianism, global governance, and securitization. Also, since NGOs do not operate in a vacuum but within a highly competitive media environment, it is equally important to reflect on the wa

自制

放縱

Humanitarian NGOs and Global Governance: One, No One and One Hundred Thousand Humanitarian NGOstant reflect upon the aspirations of emergency organizations. How do relief agencies intend, perceive and present their role to the public? Are they interested in participating or influencing global governance? Do they consider their role as promoters of universal values or technical agents performi

喊叫

Threatening – The Refugee as a Threatnaged and controlled, migrants pointed at with generic allegation of terrorist threat, and state borders closed and militarized. Securitization of migration may not be a new phenomenon (Saunders 2014) but it is one that has recently received a great deal of attention (see among others Bigo 2002; Pug

Ceremony

fructose

事情

Conclusionidelines with fieldwork and interviews with NGO staffers – has shown the different ways in which each organization works. Exploration of the different sectors of intervention has highlighted the different roles NGOs want to have not only in the lives of their beneficiaries but more generally in the

ERUPT

defenses

Humanitarianism, Securitization and Humanitarian Communicationys in which humanitarian ideals are translated into their communication strategies and how these fit within the larger communication landscape. This chapter presents the literature and the theoretical framework on which this book is based.

出血

The (In)Visibility of Migrantsirms that photography makes things represented worth being seen, we may be led to think that, on the contrary, what is not photographed is not worth seeing. On this arbitrary decision over presence and absence, visibility and invisibility, hinges a very important dimension of the power of photography.