Titlebook: Visual Securitization; Humanitarian Represe Alice Massari Book‘‘‘‘‘‘‘‘ 2021 The Editor(s) (if applicable) and The Author(s) 2021 Visual sec

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rious types of vulnerabilities that can affect their security and functionality. In this paper, we present ., a novel framework that leverages a pre-trained identifier-aware encoder-decoder CodeT5 model and confident learning to detect seven types of vulnerabilities in Ethereum smart contracts. Conf

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Alice Massari This paper proposes an information encryption mechanism based on QR code to solve the problem of information leakage in data communication. The error correction mechanism of the QR code allows it to record information normally even if it is partially damaged. Taking advantage of this feature, this

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Alice Massari due to the immutable and irreversible features, vulnerable smart contracts which have been deployed in the the blockchain can only be detected rather than fixed. Conventional approaches heavily rely on hand-crafted vulnerability rules, which is time-consuming and difficult to cover all the cases. R

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Alice Massari and mobile networks, promoting the fusion of human society, information space, and the physical world and the development of the human-cyber-physical (HCP) environment. In the HCP environment, applications usually need to use heterogeneous resources belonging to multiple systems and participants. T

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2364-4087 s and free to read online.This open access book offers an innovative account of how relief organizations’ visual depiction of Syrian displacement contributes to reproduce and reinforce a securitized account of refugees. Through visual analysis, the book demonstrates how the securitization process ta

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A Visual Approachcertain economy of discourses of truth which operates through and on the basis of this association. We are subjected to the production of truth through power and we cannot exercise power except through the production of truth (Foucault 1980, 93).

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Threatened, the Refugee as the Referent Objectes that humanitarianism has undergone over the last quarter century and how new relief assistance’ modalities, while seeking to putting individuals and their rights center stage have also primarily represented them in terms of victimhood.

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Introduction,retrospective by Khaled Hourani, a Palestinian artist reflecting on the reduction of refugees to abstract symbols of victimhood by humanitarian representations. In the eyes of the artist, the blue figure (Fig. 1.1), so common in relief organizations′ visual depictions, is the migrating human being,