Titlebook: Urban Crime Control in Cinema; Fallen Guardians and Vladimir Rizov Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusi

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Cities,e by situating it in the context of its formation. Second, it engages directly with Plato’s figure of the guardian and their expression in the production of space. Third, the chapter provides a conceptual critical history of early forms of cinema with an emphasis on their representation of labour, crime, and urban space.

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Batman,snomer, and that the incarceration speaks to a disproportionate pattern of racial and ethnic discrimination. Finally, the established theme of transparency and the traversal of space is contrasted with incarceration, the opacity of space, and friction.

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2946-3912 olicing, mass incarceration & extrajudicial killing.Appeals .This book uses popular films to understand the convergence of crime control and the ideology of repression in contemporary capitalism. It focuses on the cinematic figure of the fallen guardian, a protagonist who, in the course of a narrati

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Cinema,ing cinematic examples of popular cinema, the significance of ‘justice’ is established in relation to relevant tools for criticism. Justice is understood to be an ideological construction that is produced as an effect on the narrative level as a way of omitting engagement with actual injustices beyo