Titlebook: Urban Crime Control in Cinema; Fallen Guardians and Vladimir Rizov Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusi

我贊成

書目名稱Urban Crime Control in Cinema影響因子(影響力)




書目名稱Urban Crime Control in Cinema影響因子(影響力)學(xué)科排名




書目名稱Urban Crime Control in Cinema網(wǎng)絡(luò)公開度




書目名稱Urban Crime Control in Cinema網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Urban Crime Control in Cinema被引頻次




書目名稱Urban Crime Control in Cinema被引頻次學(xué)科排名




書目名稱Urban Crime Control in Cinema年度引用




書目名稱Urban Crime Control in Cinema年度引用學(xué)科排名




書目名稱Urban Crime Control in Cinema讀者反饋




書目名稱Urban Crime Control in Cinema讀者反饋學(xué)科排名

富足女人

Cities,e by situating it in the context of its formation. Second, it engages directly with Plato’s figure of the guardian and their expression in the production of space. Third, the chapter provides a conceptual critical history of early forms of cinema with an emphasis on their representation of labour, crime, and urban space.

修正案

流行

LINE

GIDDY

Batman,snomer, and that the incarceration speaks to a disproportionate pattern of racial and ethnic discrimination. Finally, the established theme of transparency and the traversal of space is contrasted with incarceration, the opacity of space, and friction.

PET-scan

CHECK

2946-3912 olicing, mass incarceration & extrajudicial killing.Appeals .This book uses popular films to understand the convergence of crime control and the ideology of repression in contemporary capitalism. It focuses on the cinematic figure of the fallen guardian, a protagonist who, in the course of a narrati

揮舞

平項(xiàng)山

Cinema,ing cinematic examples of popular cinema, the significance of ‘justice’ is established in relation to relevant tools for criticism. Justice is understood to be an ideological construction that is produced as an effect on the narrative level as a way of omitting engagement with actual injustices beyo