Titlebook: Urban Australia and Post-Punk; Exploring Dogs in Sp David Nichols,Sophie Perillo Book 2020 The Editor(s) (if applicable) and The Author(s)

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放氣

Richmond and 18 Berry Street Revisited,rchives of the National Trust of Victoria, they build a picture of a suburb in flux throughout much of the twentieth century, relating some of the community activism of the period. They explore the heritage classification of 18 Berry St and the relationship between this classification and the film.

危機(jī)

,‘Making It’: The Ears, INXS, and Music Scene Restructuring as Seen Through ,he period 1979–81. The chapter contemplates commercial success and credibility as well as what constituted a functional, working group in the post-punk era in Australia. She then tracks changes in the industry to the present day to properly contextualise and understand the 1970s–1980s.

極少

If You Were a Freak, You Were Equally Excluded,lso briefly discusses the death of Christine Harding and his feelings on seeing it—or rather, that of the character ‘Anna’—represented in the film. This chapter is the first of nine memoirs in the first half of the book presenting contrasting and complementary impressions of the late 1970s Melbourne punk scene and its aftermath.

Crayon

,The Strange Life of ‘Shivers’ and Its Place in ,s as a ‘classic’ of the late 1970s. MacKinney explores the emergence of the song, its meaning(s) and early recognition of its importance, as well as its value to Howard and his legacy and to the action of the film.

growth-factor

INERT

堅(jiān)毅

cacophony

kidney

The B-Side of a Single? An Autobiohistoriography,’ first single ‘Leap for Lunch’. He discusses the social environment which led to the formation of the Primitive Calculators, which continues to be his best-known musical foray, and the way his musical career has been affected by the fame accorded the group through their inclusion in the film. The a