Titlebook: Urban Australia and Post-Punk; Exploring Dogs in Sp David Nichols,Sophie Perillo Book 2020 The Editor(s) (if applicable) and The Author(s)

FLEET

,‘Someone’s Been Fucking Using This for Meat Again’: 18 Berry Street and Melbourne Sharehousing in tchapter, Ellinghaus and McKew, using interviews with individuals who lived communally in inner-city Melbourne in the mid-to-late 1970s, examine the phenomenon of the sharehouse as it had come to be understood at that time.

明確

ial historical impact; its reflection in built environment uRichard Lowenstein’s 1986 masterpiece .Dogs in Space. was and remains controversial, divisive, compelling and inspirational. Made less than a decade after the events it is based on, using many of the people involved in those events as actor

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RADE

Misgiving

,Let’s Go and Get in Some Trub,d songwriter in Plays with Marionettes (and later The Wreckery), played the character of Pierre, based on Peter ‘Pierre’ Sutcliffe, the singer for The Fabulous Marquises. Clayton-Jones played the character of Davis, based on Ears guitarist Mick Lewis, in ..

灰心喪氣

Everyone Was Interchangeable,teers co-ordinator for 3RRR-fm. Taylor was then employed in the film industry and was hired to work both as crew and cast (one of her Little Bands, Thrush and the Cunts, was recreated for the film and also appears on the soundtrack album).

Melanoma

,We’re the Most Fabulous People Australia Has Ever Known,y . cast members who had been a part of the ‘original events’, he was employed on the film as a credible and experienced actor. He discusses this unusual status, as well as reminiscing about Michael Hutchence, Tony Helou, Saskia Post, Tim McLaughlin and others.

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It Was Never Pistols at Dawn,he also notes the lack of musical ability amongst many members. She reflects on her time in Deckchairs Overboard with John Clifforth (another contributor to this section of the book) and her experience of mainstream pop music and the dynamics of bands and ‘scenes’.

愛得痛了

Rock Star in Space,onate and active fan of the band, as well as her encounters with other fans. She recounts the route Hutchence took from singer to actor in ., the antithesis of the cinematic ‘star vehicle’, and the responses of both fans and critics to the film and his performance in it.