Titlebook: Understanding Blackness through Performance; Contemporary Arts an Anne Crémieux,Xavier Lemoine,Jean-Paul Rocchi Book 2013 Anne Crémieux, Xa

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I Am Not a Race Man: Racial Uplift and the Post-Black Aesthetic in Percival Everett’s y signifies upon itself. Master storyteller and trickster, he is adept at telling tales that at once call attention to and away from the problems of race in America. His most well-known satire of American race relations, . (2001), garnered renewed attention in the wake of the 2009 film version of Sa

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Embodying Hybridity: Anna Deavere Smith’s Identity Cross-Oversrought her fame across the United States most obviously because they provided an artistic answer to the racial tensions that had sparked urban riots in New York City and Los Angeles. By performing groups and individuals from different communities on her single body, she not only confronted various p

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松果

DECRY

閑逛

hardheaded

單調(diào)性

Kristin Leigh Moriah This practice of women dressing as men clearly gives the lie to the old maxim ‘we are what we look’, at the same time it exposes gender as socially constructed and not innate, eternal or biologically ‘natural’.

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Xavier Lemoinesagreements usually take place in the context of a shared assumption that it is possible (at least in principle) for some system of social institutions to meet all of the adequacy conditions that need to be imposed on such systems.

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er ?lteren Mitbürger und der Solidarit?t der Generationen”. Obwohl das Thema “Alterung” ein “Urthema” der Bev?lkerungswissenschaft mit einer langen Forschungstradition sei, gebe es immer noch Mi?verst?ndnisse über die Bestimmungsgründe und die Folgen. Auf dem Hintergrund der starken Zuwanderung nach