Titlebook: Understanding Blackness through Performance; Contemporary Arts an Anne Crémieux,Xavier Lemoine,Jean-Paul Rocchi Book 2013 Anne Crémieux, Xa

nocturnal

Initiative

WAIL

Transgressive (Re)presentations: Black Women, Vaudeville, and the Politics of Performance in Early T in the early 1920s.. African American women entertainers found particular success in the genre of vaudeville. Josephine Baker, Mabel Mercer, Aida “Bricktop” Smith, and Adelaide Hall are just a few of the popular African American women entertainers who became successful performing in transatlantic v

Humble

難取悅

華而不實(shí)

Indecisive

Black Queer Studies, Freedom, and Other Human Possibilitiesthe analysis of black diaspora cultures. Coming into being in the midst of the death-dealing of transatlantic slavery, New World black being is founded in and through death, as HIV/AIDS and, more largely, black queer studies still prove today. A thought experiment based on the work of diaspora artis

采納

About Face, or, What Is This “Back” in B(l)ack Popular Culture? From Venus Hottentot to Video Hottien 30 signifiers for this physical feature suggests that the rear end is as important in the anatomical imaginary of the West as is the proverbial proliferation of terms for snow in the Inuit ecological imaginary. Gottschild’s observation is underscored by increasing evidence—from the growth of butt

LAVA

捕鯨魚叉

Sculpting Black Queer Bodies and Desires: The Case of Richmond Barthée. No wonder he was admired by many who found him “thoughtful, generous, witty, and charming—a debonair gentleman.” Yet, he was equally derided by some who called him “a sissy, a fag, a kept man-child” (Vendryes 2008: 6). Of all the so-called New Negro artists, Barthé is perhaps the most enigmatic a