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Titlebook: Street Art of Resistance; Sarah H. Awad,Brady Wagoner Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 graffiti as social re

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樓主: 愚蠢地活
31#
發(fā)表于 2025-3-26 21:39:53 | 只看該作者
32#
發(fā)表于 2025-3-27 04:25:36 | 只看該作者
Indigenous Graffiti and Street Art as Resistancey oppose the structural and systemic histories of violence suffered by indigenous people under settler colonialism. Indigenous graffiti and street art work to destabilize colonial occupations of indigenous territory, by drawing attention to the ways that the existence of settler colonial infrastruct
33#
發(fā)表于 2025-3-27 06:39:58 | 只看該作者
Representations of Resistance: Ironic Iconography in a Southern Mexican Social Movementn posters, graffiti, and three-dimensional imagery and performance, members of the union Local 22 have used biting imagery that inverts state symbols to critique neoliberal policies that they contend jeopardize teachers’ jobs and the future of public education. I contend that visuals and spectacles
34#
發(fā)表于 2025-3-27 11:12:01 | 只看該作者
The Democratic Potential of Artistic Expression in Public Space: Street Art and Graffiti as Rebelliogaging in these practices is analyzed. Through semi-structured interviews with Danish graffiti artists, this chapter aims at exploring the thoughts, ideas, and narratives of the artists..In a discussion about the political elements of graffiti and street art, a few street art works found in Danish c
35#
發(fā)表于 2025-3-27 17:36:42 | 只看該作者
36#
發(fā)表于 2025-3-27 19:07:02 | 只看該作者
Sheherazade Says No: Artful Resistance in Contemporary Egyptian Political Cartoon Egypt. Political cartoon is approached as a form of art and resistance, in which the artists speak for a ‘cherished community’. In a political system that aspires to democratic ideals, but bears features of an authoritarian system, political cartoonists assume the role of activists. By analyzing wh
37#
發(fā)表于 2025-3-28 00:00:19 | 只看該作者
Subjectivity, Aesthetics, and the Nexus of Injustice: From Traditional to Street Art recognition, interaction, and subjectification in the visual and performing arts. Aesthetic conditions for the possibility of resistance in the arts are presented with the conclusion that street art may be a better candidate for challenging the status quo than traditional art.
38#
發(fā)表于 2025-3-28 03:39:45 | 只看該作者
Resisting Forms: Prolegomena to an Aesthetics of Resistanced political groups. The interruptive nature of art forms to challenge perceptual and conceptual habits is exemplified in graffiti’s and street art’s power to do this with great skill and expressive richness.
39#
發(fā)表于 2025-3-28 10:00:54 | 只看該作者
The Arabic Language as Creative Resistanceting together a number of creative manifestations that utilize Arabic as a tool of resistance. Projects discussed cannot be appreciated without highlighting some of the historical conditions and developments that affected the Arabic language in the region and beyond.
40#
發(fā)表于 2025-3-28 11:15:43 | 只看該作者
Sheherazade Says No: Artful Resistance in Contemporary Egyptian Political Cartoonect matter), we arrive at a view of Egyptian cartoonists as socio-psychoanalysts, who link past, present, and potential futures, share in the pain of their cherished community, and transform it, if only for a moment, into laughter.
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