Titlebook: Street Art of Resistance; Sarah H. Awad,Brady Wagoner Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 graffiti as social re

Kidnap

Introducing the , Art of Resistance,le ways people use imagination to reconfigure those barriers and create meaningful spaces. We will look at walls that have become an arena for contentious dialogues through which social and political resistance is manifest.

死亡率

一美元

amphibian

有毒

milligram

Inventive ReXistence: Notes on Brazil Graffiti and City Tensionke dislocations in the ways of seeing and living, to disturb people’s indifferences in their relations with the city. These aspects are discussed in this chapter with the analysis of some graffiti works that were produced by Brazilian artists in different cities of Brazil.

SPASM

Contend

Representations of Resistance: Ironic Iconography in a Southern Mexican Social Movementproduced during and since the events of 2006, when the . (Popular Assembly of the Peoples of Oaxaca, or APPO) social movement emerged following a violent dislodging of the striking Local 22 members, reify the power of public art as a critical form of resistance that contests and challenges the status quo.

Working-Memory

他日關(guān)稅重重

The Aesthetics of Social Movements in Spaincases: Platform for People Affected by Mortgages (PAH), Invisibles, and “We Are Not Crime.” Three types of subjectivization are developed as a consequence of interrupting the dominant order in specific settings (i.e., the streets as public spaces): the part which has no justice, the part which has no visibility, and the part which has no voice.