Titlebook: Space, Place and Poetry in English and German, 1960–1975; Nicola Thomas Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Bri

Communal

Remapping Space and Place in Edwin Morgan and Ernst Jandl,lays a variety of roles, from highly abstract concrete poetry to more linear but still ludic and linguistically experimental texts. Some manifestations of aperspectivity, polyperspectivity and polyvocality are discussed and exemplified with reference to a range of texts which construct or map space in innovative ways.

hypotension

alcohol-abuse

Deference

Nucleate

Negotiating Home in the Work of Derek Mahon and Sarah Kirsch,ines the representations of these spaces in their poetry, showing how these representations participate in and contribute to discourses of home, community and world. Conspicuously absent in both cases is the ‘grand narrative’ of national identity or overt political affiliation. Instead, both poets c

山崩

,Form and Community: Derek Mahon’s ‘Beyond Howth Head’ (1972) and Sarah Kirsch’s ‘Wiepersdorf’ Cycleclectic sources and reflect configurations of communities and identity, particularly writerly identity, which reject any notion of ‘national’ belonging or a national literary canon. For Kirsch, this self-created writerly identity also has a feminist dimension, albeit one which does not precisely ove

Substance-Abuse

FEIGN

GUILE

Conclusion: Geometries and Geographies of Comparison,ace and place is a vital critical category for understanding poetry of this period, including both experimental and non-experimental work. The conclusion reveals weaknesses in existing critical taxonomies, arguing for the use of ‘late modernist’ as a category with cross cultural relevance, and promo

深陷

Geocriticism and Spatial Literary Studieshttp://image.papertrans.cn/s/image/873199.jpg