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Titlebook: Space, Place and Poetry in English and German, 1960–1975; Nicola Thomas Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Bri

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發(fā)表于 2025-3-21 16:49:19 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Space, Place and Poetry in English and German, 1960–1975
編輯Nicola Thomas
視頻videohttp://file.papertrans.cn/874/873199/873199.mp4
概述Examines the transitional phase between modernism and postmodernism.Sheds new light on comparative studies of British and German poets.Provides a broad overview of discursive, historical and poetic co
叢書名稱Geocriticism and Spatial Literary Studies
圖書封面Titlebook: Space, Place and Poetry in English and German, 1960–1975;  Nicola Thomas Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Bri
描述.Space, Place and Poetry in English and German, 1960-1975 .examines the work of Paul Celan, J. H. Prynne, Derek Mahon, Sarah Kirsch, Edwin Morgan and Ernst Jandl, bringing together postwar English- and German-language poetry and criticism on the theme of space, place and landscape. Nicola Thomas highlights hitherto underexplored connections between a wide range of poets working across the two language areas, demonstrating that space and place are vital critical categories for understanding poetry of this period. Thomas’s analysis reveals weaknesses in existing critical taxonomies, arguing for the use of ‘late modernist’ as a category with cross-cultural relevance, and promotes methodological exchange between the Anglophone and German traditions of landscape, space and place oriented poetic criticism, to the benefit of both..
出版日期Book 2018
關(guān)鍵詞British poetry; German poetry; postwar poetry; landscape in poetry; place in poetry; space in poetry; Paul
版次1
doihttps://doi.org/10.1007/978-3-319-90212-8
isbn_softcover978-3-030-07963-5
isbn_ebook978-3-319-90212-8Series ISSN 2578-9694 Series E-ISSN 2634-5188
issn_series 2578-9694
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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發(fā)表于 2025-3-22 00:03:17 | 只看該作者
Book 2018Ernst Jandl, bringing together postwar English- and German-language poetry and criticism on the theme of space, place and landscape. Nicola Thomas highlights hitherto underexplored connections between a wide range of poets working across the two language areas, demonstrating that space and place are
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發(fā)表于 2025-3-22 02:53:34 | 只看該作者
Introduction: The Case for Comparison,ace oriented approach to poetry of the 1960s and early 1970s, and that to do so requires a fundamentally comparative critical paradigm, exemplified here with reference to a range of Anglophone and German-language poets.
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發(fā)表于 2025-3-22 05:42:28 | 只看該作者
Language as Landscape in J. H. Prynne and Paul Celan,the context of this critical discourse of meta-linguistic or meta-textual spaces, suggesting various ways in which both writers conceive of the poem itself as a literary space of intersubjective encounter in difficult terrain.
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發(fā)表于 2025-3-22 09:58:51 | 只看該作者
Negotiating Home in the Work of Derek Mahon and Sarah Kirsch,chelard, a key influence on Mahon in particular, provides a theoretical context for their discussion of domestic space, and de Certeau’s theories of the practices of everyday life help to make sense of their rejection of established, normative spatial representations.
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發(fā)表于 2025-3-22 23:41:22 | 只看該作者
Conclusion: Geometries and Geographies of Comparison,ion reveals weaknesses in existing critical taxonomies, arguing for the use of ‘late modernist’ as a category with cross cultural relevance, and promotes methodological exchange between the Anglophone and German traditions of landscape, space and place oriented poetic criticism, to the benefit of both.
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發(fā)表于 2025-3-23 04:24:31 | 只看該作者
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發(fā)表于 2025-3-23 06:43:45 | 只看該作者
,Form and Community: Derek Mahon’s ‘Beyond Howth Head’ (1972) and Sarah Kirsch’s ‘Wiepersdorf’ Cyclerlap with contemporary feminist discourses. As in other poems by both Mahon and Kirsch, border crossings and liminal spaces are crucial to their rejection of the monolithic categories of political affiliation which shape normative ideas of home, community and world.
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