Titlebook: Socially Engaged Art History and Beyond; Alternative Approach Cindy Persinger,Azar Rejaie Book 2021 The Editor(s) (if applicable) and The A

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Art History and Its Publics: Weighing the Pedagogical and Research Benefits of Community Engagemente. Specifically, it considers student perceptions of the real-world application of their learning in the form of deliverable outcomes. By applying standard art history course content, like formal analysis, to the needs of the public, students learn that their work has value in the marketplace of kno

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Visual Critical Pedagogy in High School: Students Offer an Alternative to the Official Art Curriculuitical practice that transcends the boundaries of the conventional art class, transforming the student from a passive consumer of the art market into an agent of social knowledge and change acting together with the teacher. The chapter examines final projects by high school art students as alternati

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Applied Art History: Theory and Praxisctive, participatory exchange that encourages students to collaborate and experiment with course projects. Using the applied method, students merge studio practice and scholarship. Citing examples from an upper-division art history course at Mississippi State University titled Global Art and Activis

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The Course Has Left the Classroom: Community Engagement, Consensus Building, and Experiential Learnie community. Student agency and action concerning issues of diversity, equity, inclusion, and community engagement contribute to a growing interest in improving the social well-being of those co-inhabiting a politicized academic space, while also effectively communicating the art historical relevanc

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Public Sculpture Exhibitions in Neighborhoods: Arts-Driven, Heritage-Based, Urban Revitalization, an well as established urban planning practices. . consisted of four, juried, outdoor exhibitions of contemporary sculptures from across the continental United States. The works were displayed on approximately three and one-half residential blocks at the intersection of three economically challenged a

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Making Worlds: Normative and Other Art Histories of Visually Impaired Photographers discourses of art and disability that frame such images as either therapeutic or aesthetic, perspectives from disability studies inform in-depth art historical image readings in a rare combination of material and methodology. With artwork by Tanvir Bush as a rich case, displayed online where it off

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