Titlebook: Shipboard Literary Cultures; Reading, Writing, an Susann Liebich,Laurence Publicover Book 2021 The Editor(s) (if applicable) and The Author

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Books with ,: The Power and Influence of Book Ownership on a Seventeenth-Century Man-of-War,he complex and under-researched role of chaplains (and of religion more generally) at sea in the mid-seventeenth century, the chapter goes on to discuss the significance of the specific books Syms took aboard the . and the ways in which their presence might have complicated the structure of shipboard authority.

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2634-5366 lasses as well as public and private space.Extends oceanic aThe essays collected within this volume ask how literary practices are shaped by the experience of being at sea—and also how they .forge. that experience. Individual chapters explore the literary worlds of naval ships, whalers, commercial v

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Recognition and Anonymity: Shipboard Theatricals and Newspapers Aboard USS ,e history, not least for the window it provides on the opening of the Pacific to trade with the United States. This chapter positions it as a primary source in the recovery of maritime theatrical and print culture, arguing that to recover the meanings and effects of the performances it records we ne

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The Maritime Self on the American Whaleship,ations of individual voyages; the vast networks these ships moved through; the way communities with other humans and with non-human creatures developed; and the manner in which particular individuals comprehended their own nautical existence. Situating the discussion within the recent developments i

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The , as a Space of Writing, Reading, and Performance,inantly first-class, well-educated passengers, and her unusually long poop deck, well-lit saloon, and spacious first-class cabins—provided a uniquely privileged moving environment for private and shared reading, for writing, and for musical and dramatic performances during her annual return voyages