Titlebook: Shaw’s Ibsen; A Re-Appraisal Joan Templeton Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 arts.Britain.drama.George Bernar

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書目名稱Shaw’s Ibsen影響因子(影響力)




書目名稱Shaw’s Ibsen影響因子(影響力)學(xué)科排名




書目名稱Shaw’s Ibsen網(wǎng)絡(luò)公開度




書目名稱Shaw’s Ibsen網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Shaw’s Ibsen被引頻次




書目名稱Shaw’s Ibsen被引頻次學(xué)科排名




書目名稱Shaw’s Ibsen年度引用




書目名稱Shaw’s Ibsen年度引用學(xué)科排名




書目名稱Shaw’s Ibsen讀者反饋




書目名稱Shaw’s Ibsen讀者反饋學(xué)科排名

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Shaw’s Ibsen978-1-137-54044-7Series ISSN 2634-5811 Series E-ISSN 2634-582X

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The Road to the ,,lliam Archer read . aloud, to his tireless work in the Ibsen campaign, both as a journalist who extolled Ibsen as a writer of “vital truth” in contrast to the “twaddle” of the Victorian stage, and as a man of the theatre who worked with Janet Achurch, Charles Charringon, Florence Farr, and Elizabeth

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The Ibsenite in the Theatre, 1892-1898,uing that Shaw was right to insist that . was not indebted to Ibsen, Templeton analyzes the two dramatists’ very different dramaturgies. She then examines . as a “new comedy,” analyzes . as a Shavian pendant to Ibsen’s ., and offers a close reading of . that rebuts the ubiquitous notions that Shaw’s

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,, 1913,sen whose plays constitute a contemporary guide to the Scripture, a kind of modernist Bible. Templeton appraises Shaw’s three new chapters, beginning with “The Last Four Plays,” which she presents as Shaw’s celebratory analysis of the poetic and moral force of Ibsen at the end of his career. She arg

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