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Titlebook: Shaw’s Ibsen; A Re-Appraisal Joan Templeton Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 arts.Britain.drama.George Bernar

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發(fā)表于 2025-3-21 19:39:52 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Shaw’s Ibsen
副標題A Re-Appraisal
編輯Joan Templeton
視頻videohttp://file.papertrans.cn/867/866514/866514.mp4
概述Argues that Shaw was a masterful reader of Ibsen‘s plays.Examines Ibsen’s primordial importance in Shaw’s brilliant but neglected dramatic criticism.Challenges the popular notion that Shaw used Ibsen
叢書名稱Bernard Shaw and His Contemporaries
圖書封面Titlebook: Shaw’s Ibsen; A Re-Appraisal Joan Templeton Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 arts.Britain.drama.George Bernar
描述This book argues that Shaw was a masterful reader of Ibsen‘s plays both as texts and as the cornerstone of the modern theatre. Dismantling the notion that Shaw distorted Ibsen to promote his own view of the world, and establishing Shaw’s initial interest in Ibsen as the poet of .Peer Gynt, .it chronicles Shaw’s important role in the London Ibsen campaign and exposes the falsity of the tradition that Shaw branded Ibsen as a socialist. Further, this study shows?that Shaw’s famous but maligned .The Quintessence of Ibsenism. reflects Ibsen’s own anti-idealist notion of his work and argues that Shaw’s readings of Ibsen’s plays are pioneering?analyses that anticipate later criticism. It offers new readings of Shaw’s “Ibsenist” plays as well as?a comprehensive account of Ibsen’s importance for Shaw’s dramatic criticism, from his?early journalism to .Our Theatres of the Nineties., both as a weapon against the inanities of the?Victorian stage and asthe standard bearer for modernism..
出版日期Book 2018
關鍵詞arts; Britain; drama; George Bernard Shaw; history; history of literature; literature; performing arts; play
版次1
doihttps://doi.org/10.1057/978-1-137-54044-7
isbn_softcover978-1-349-71316-5
isbn_ebook978-1-137-54044-7Series ISSN 2634-5811 Series E-ISSN 2634-582X
issn_series 2634-5811
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 23:05:38 | 只看該作者
板凳
發(fā)表于 2025-3-22 03:05:18 | 只看該作者
Shaw’s Ibsen978-1-137-54044-7Series ISSN 2634-5811 Series E-ISSN 2634-582X
地板
發(fā)表于 2025-3-22 06:19:57 | 只看該作者
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發(fā)表于 2025-3-22 16:43:34 | 只看該作者
The Road to the ,,lliam Archer read . aloud, to his tireless work in the Ibsen campaign, both as a journalist who extolled Ibsen as a writer of “vital truth” in contrast to the “twaddle” of the Victorian stage, and as a man of the theatre who worked with Janet Achurch, Charles Charringon, Florence Farr, and Elizabeth
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發(fā)表于 2025-3-22 17:55:50 | 只看該作者
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發(fā)表于 2025-3-22 22:52:33 | 只看該作者
The Ibsenite in the Theatre, 1892-1898,uing that Shaw was right to insist that . was not indebted to Ibsen, Templeton analyzes the two dramatists’ very different dramaturgies. She then examines . as a “new comedy,” analyzes . as a Shavian pendant to Ibsen’s ., and offers a close reading of . that rebuts the ubiquitous notions that Shaw’s
9#
發(fā)表于 2025-3-23 03:24:53 | 只看該作者
,, 1913,sen whose plays constitute a contemporary guide to the Scripture, a kind of modernist Bible. Templeton appraises Shaw’s three new chapters, beginning with “The Last Four Plays,” which she presents as Shaw’s celebratory analysis of the poetic and moral force of Ibsen at the end of his career. She arg
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發(fā)表于 2025-3-23 09:23:05 | 只看該作者
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