Titlebook: Shakespeare and Digital Performance in Practice; Erin Sullivan Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive

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The Broadcast Stage,er technological experiments in theatre relays before turning its attention to Shakespearean broadcasting since the launch of NT Live. Through an analysis of broadcasts from the National Theatre, Royal Shakespeare Company, Shakespeare’s Globe, Donmar Warehouse, Forced Entertainment, and Theatre for

生來(lái)

Mediated Performance,y into the mainstream. Looking first at experimental work by Robert Wilson, Robert Lepage, and Elizabeth LeCompte and The Wooster Group, it?then turns to more narrative-driven projects by Ivo van Hove and Toneelgroep Amsterdam; Mike Pearson, Mike Brookes, and National Theatre Wales; Joe Hill-Gibbins

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有助于

In Practice: Interviews with Two Practitioners,re Company, and Zo? Seaton, Artistic Director of Big Telly theatre company. In these interviews, they discuss how they have engaged with digital technologies over their careers, how it has shaped their creative work, and what they think the future of digital theatre-making might be in the wake of th

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Flirtatious

Born-Digital Theatre,the successes and failures of these ventures, the chapter argues that digitally native theatre-making has the capacity to both extend the reach of live performance and further its artistic and philosophical ambitions.