| 書目名稱 | Shakespeare and Digital Performance in Practice | | 編輯 | Erin Sullivan | | 視頻video | http://file.papertrans.cn/867/866187/866187.mp4 | | 概述 | Analyses renowned and lesser-known Shakespearean productions from the last decade.Theorizes how experiences of presence, liveness, immersion, and interactivity work in digital performance.Surveys cult | | 叢書名稱 | Shakespeare in Practice | | 圖書封面 |  | | 描述 | .Shakespeare and Digital Performance in Practice .explores the impact of digital technologies on the theatrical performance of Shakespeare in the twenty-first century, both in terms of widening cultural access and developing new forms of artistry. Through close analysis of dozens of productions, both high-profile and lesser known, it examines the rise of live broadcasting and recording in the theatre, the growing use of live video feeds and dynamic projections on the mainstream stage, and experiments in born-digital theatre-making, including social media, virtual reality, and video-conferencing adaptations. In doing so, it argues that technologically adventurous performances of Shakespeare allow performers and audiences to test what they believe theatre to be, as well as to reflect on what it means to be present—with a work of art, with others, with oneself—in an increasingly online world.. | | 出版日期 | Book 2022 | | 關(guān)鍵詞 | Shakespeare; Digital; Performance; Digital performance; Stage | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-031-05763-2 | | isbn_softcover | 978-3-031-05765-6 | | isbn_ebook | 978-3-031-05763-2 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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