Titlebook: Sean O’Casey; From Times Past Brooks Atkinson,Robert G. Lowery Book 1982 Brooks Atkinson and Robert G. Lowery 1982 Britain.history of liter

傲慢物

過度

Manifest

吝嗇性

The Playng play. Most of Sean O’Casey’s bitter comment on the war trickles away in his elliptical play construction, and the actors of The Irish Theatre, who are playing it, speak wretchedly. Much of the first act is lost in the speaking; all of the second act is verbally unintelligible, and only an occasio

重疊

outrage

Injunction

The Play mounted it at the Martin Beck Theatre Saturday evening.. As a play it is less firmly rooted in character than its two illustrious successors, but obviously it is cut from the same pattern. Set in a slatternly Dublin tenement in 1920 it brings to the stage the same garrulous, shiftless people; the s

驕傲

Forsake

供過于求

Within the Gatesthat would plunge deeper and soar higher than nervous realism and employ singing and dancing as handmaids of the stage. The man who has at last worked the miracle received his early training, not in the classrooms or ateliers, but on the streets and docks and in the tenements of Dublin. Sean O’Casey