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Titlebook: Sean O’Casey; From Times Past Brooks Atkinson,Robert G. Lowery Book 1982 Brooks Atkinson and Robert G. Lowery 1982 Britain.history of liter

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發(fā)表于 2025-3-21 17:35:01 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Sean O’Casey
副標題From Times Past
編輯Brooks Atkinson,Robert G. Lowery
視頻videohttp://file.papertrans.cn/863/862985/862985.mp4
圖書封面Titlebook: Sean O’Casey; From Times Past Brooks Atkinson,Robert G. Lowery Book 1982 Brooks Atkinson and Robert G. Lowery 1982 Britain.history of liter
出版日期Book 1982
關鍵詞Britain; history of literature; literature; Seán O’Casey; twentieth century; British and Irish Literature
版次1
doihttps://doi.org/10.1007/978-1-349-05667-5
isbn_softcover978-1-349-05669-9
isbn_ebook978-1-349-05667-5
copyrightBrooks Atkinson and Robert G. Lowery 1982
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 21:36:53 | 只看該作者
The Playfeel that muddled and disorderly as the play may be, it was composed in the fires of imagination. Especially in the last act, the brutal joining of tragedy to comedy, the natural exaltation of certain passages in the dialogue and the snatches of song persuade you that Mr O’Casey is no idle threat. He is a dramatist to be reckoned with.
板凳
發(fā)表于 2025-3-22 04:14:58 | 只看該作者
The Playt from his country-men in London; and it may be that his best work is already finished. But as long as there are Irish comedians like Arthur Sinclair, Barry Fitzgerald and F.J. McCormick . will be one of the great realistic plays of this century.
地板
發(fā)表于 2025-3-22 04:36:38 | 只看該作者
The Playo redeem it with a drama that sweeps along through the loves and terrors of mankind. . is a testament of Mr O’Casey’s abiding faith in life. Nothing so grand has risen in our impoverished theatre since this reporter first began writing of plays.
5#
發(fā)表于 2025-3-22 09:26:17 | 只看該作者
6#
發(fā)表于 2025-3-22 13:09:31 | 只看該作者
Introductione was called ‘the most respected, most influential and perhaps the most quoted drama critic in the United States’. His high standards of theatrical reporting influenced numerous writers, including many of his own colleagues on rival newspapers. Scholars and literary historians interested in modern d
7#
發(fā)表于 2025-3-22 20:13:57 | 只看該作者
8#
發(fā)表于 2025-3-22 23:13:19 | 只看該作者
Irish Folk Life in a Tragedyt the Mayfair Theatre.. Surely both those elements convey the full quality of the Dublin life four years ago represented by Mr O’Casey’s drama. To join them as bluntly as Mr O’Casey has done, however, and to require at the same time an even performance, is to throw rather too much responsibility upo
9#
發(fā)表于 2025-3-23 03:59:14 | 只看該作者
O’Casey at the Bateffective precedence over pure reason, the glowing warmth of the Irish temperament becomes the charm and the only viable constant. When George Moore, pallid grandee of Ebury Street, returned to Ireland after sniffing the art of Paris and London, he made a similar observation: ‘I’ve noticed,’ he said
10#
發(fā)表于 2025-3-23 06:18:44 | 只看該作者
Disillusion in Irish DramaMacmillans have recently published it in book form.. Its four acts reveal Mr O’Casey again inveighing against the futility of war, through the medium of the slum life most immediately affected by bloodshed. If he travels again the road so brutally laid down by . and confines himself to the same nati
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