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Titlebook: Sean O’Casey; Modern Judgements Ronald Ayling Book 1969 Macmillan Publishers Limited 1969 Britain.history of literature.literature.Seán O’C

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樓主: Sediment
11#
發(fā)表于 2025-3-23 13:26:12 | 只看該作者
12#
發(fā)表于 2025-3-23 15:59:47 | 只看該作者
The Prodigality of Sean O’Casey (1951)and O’Neill, worn down to the semi-paralysed skeleton of the fine figure of a man we knew, merely lingered to remind us that Fate . the ironist he always claimed it was. Only O’Casey is left us from the triumvirate of our theatre, and there is much comfort in the realization that his last play ., pu
13#
發(fā)表于 2025-3-23 19:34:29 | 只看該作者
O’Casey at Your Bedside (1958)ns the relation. Why Dublin? — one would like to know. The question recurs whenever one thinks of how much poetry and drama has come from that mediocre city in the last hundred years: Shaw, Wilde, Yeats, Synge, Joyce, Sean O’Casey — to say nothing of their lesser brothers inside or outside the Abbey
14#
發(fā)表于 2025-3-24 00:16:39 | 只看該作者
The Heroic Image: , (1966)inimum psychological complexity and no moral dilemmas. There are various elements latent in the situation which could have been worked up into more than one kind of neatly shaped dramatic action. It could have been a ‘love and honour’ conflict: Sheila Moorneen does her best to make it so, but Ayamon
15#
發(fā)表于 2025-3-24 04:18:21 | 只看該作者
Sean O’Casey, W. B. Yeats and the Dance of Life (1966)n terms of their readiness to dance. ‘One could never conceive of Griffith dancing a reel’, he remarks in . (p. 97),. ‘but could easily imagine Collins doing a wild dance in the courtyard of the castle.’ In . (p. 221), he reveres Jim Larkin as one who proclaimed ‘poetry, dancing, and principles’ as
16#
發(fā)表于 2025-3-24 08:19:33 | 只看該作者
Illusion and Actuality in the Later O’Casey (1965)’ plays, in which ‘the author’s world seemed to be divided into two compartments — selfish, licentious capitalists and noble, pure Proletarians’. If Robinson is giving even a roughly just description of O’Casey’s world in 1921, the information is useful as an index to O’Casey’s imaginative preoccupa
17#
發(fā)表于 2025-3-24 11:10:56 | 只看該作者
18#
發(fā)表于 2025-3-24 17:25:22 | 只看該作者
Ever a Fighter: , (1960)the Irish fight for freedom; Eire’s subsequent civil conflict; the first Great War; Fascism and Communism in armed opposition; the second Great War; strike action in Ireland. He has missed no contemporary opportunity, and where actual fighting is not the issue its place is taken by the many richly d
19#
發(fā)表于 2025-3-24 21:09:17 | 只看該作者
20#
發(fā)表于 2025-3-25 03:03:19 | 只看該作者
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