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Titlebook: Sean O’Casey; Modern Judgements Ronald Ayling Book 1969 Macmillan Publishers Limited 1969 Britain.history of literature.literature.Seán O’C

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發(fā)表于 2025-3-21 19:34:24 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Sean O’Casey
副標(biāo)題Modern Judgements
編輯Ronald Ayling
視頻videohttp://file.papertrans.cn/863/862982/862982.mp4
叢書名稱Modern Judgements
圖書封面Titlebook: Sean O’Casey; Modern Judgements Ronald Ayling Book 1969 Macmillan Publishers Limited 1969 Britain.history of literature.literature.Seán O’C
出版日期Book 1969
關(guān)鍵詞Britain; history of literature; literature; Seán O’Casey; twentieth century; British and Irish Literature
版次1
doihttps://doi.org/10.1007/978-1-349-15301-5
isbn_ebook978-1-349-15301-5Series ISSN 2947-2938 Series E-ISSN 2947-2946
issn_series 2947-2938
copyrightMacmillan Publishers Limited 1969
The information of publication is updating

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O’Casey’s Photographic Realism (1929) of the building contractors of Dublin. Now he is known wherever the English language is spoken or read as a dramatist of considerable importance. His plays have brought a new popularity to the Abbey Theatre, as they have brought to that theatre an audience which had never known it before. It was an
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Sean O’Casey: An Appreciation (1926)of Morality, Patriotism, and the Virtues of Home Life. An attempt by a wild young man to pull down the curtain, followed by the sudden and precipitant descent over the footlights of that identical young man on the point of somebody’s fist. Speeches from the gallery upon Death and Glory and the Immor
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發(fā)表于 2025-3-22 19:27:00 | 只看該作者
The Silver Tassie: A Letter (1928) bore in mind that the Abbey owed its recent prosperity to you. If you had not brought us your plays just at that moment I doubt if it would now exist. I read the first act with admiration, I thought it was the best first act you had written, and told a friend that you had surpassed yourself. The ne
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Sean O’Casey and the Irish Drama (1934)and O’Neill, worn down to the semi-paralysed skeleton of the fine figure of a man we knew, merely lingered to remind us that Fate . the ironist he always claimed it was. Only O’Casey is left us from the triumvirate of our theatre, and there is much comfort in the realization that his last play ., pu
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