Titlebook: Screening Ulster; Cinema and the Union Richard Gallagher Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license

催眠藥

palliate

Unionist Screws: Prison Officers in , (2001), , (2004) and , (2008),ian status and their Irishness by being presented as militarised in some capacity. Three films set in prisons and made in the first decade of the new century will be analysed, . (Blair, 2001), . (Murphy, 2004) and . (McQueen, 2008). Filmmakers’ exploration of the republican hunger strikes at this ti

剝皮

occult

lambaste

懶惰人民

Introduction,. This introductory chapter also comments on the methodology used for the research and explores many of the explanations that exist for the cinematic deficit that sees Northern Irish unionist characters presented much less frequently and favourably than their Irish nationalist counterparts.

Credence

An Emergence of Unionist Representation in British Cinema,terialisation of the New Irish Cinema movement and the formation of both the Irish Film Board in Ireland and Film Four productions in the United Kingdom. From 1983 the Irish republican hunger strikes can also be identified as having a significant influence on depictions.

帶子

The Rural and the Repressed: Unionists in , (1991) and , (1997),r a nuanced portrayal of Northern Irish unionist identities. The chapter also comments on how . is an aberration given the complete absence of unionist representation in fiction film in the late 1980s and early 1990s.

Ibd810

Evocative